Musical theatre
Goodbye my darling ★ [JMS Astail Plaza]

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Performance content

★ May issue interview Article here!

The wife of a house rat who lived as a normal "housewife".
One day, the house is trapped in a cage.
Chest dance to the world outside the window where the Kijibat talks, the wife who is attracted to the heart.
What the wife found at the end of the unexpected encounter.


Based on the novel THE MOUSEWIFE by Rumer Godden
Copyright & #169; & # 65038; 1951 by Rumer Godden
Licensed by the Estate of The Rumer Godden Literary Trust c/o Curtis Brown Ltd., London< BR/> through Tuttle-Mori Agency, Inc., Tokyo

Performances Homepage

http://www.ongakuza-musical.com

Appearance

Ida Yasuhisa? Takano nana? Kaoru Hirata? Ayaka Mori? Annaka Junya? Ryo Ueda? Keisuke Niiki? Yuji Hirota? Musical Theatre and more

Staff

Screenplay, directing, choreography? Wormhole project? Music? Takada Hiroshi Kobe Kokorocafe ° smoke Q Kosuke? Art? Ito Masako Kobe Kokorocafe ° v Yasuda Yuto? Costume? Masami Hara? Hair? Kawamura Kazue? Lighting? Yuta Watanabe? Acoustic? Obata Toru? Music Director? Hiroshi Takada? Singing coaching? Hideaki Kuwahara? Design, illustration? Takahashi Nobuya? Typography? Om? Production works? Human design

Schedule

<Date>
2019/7/17 (Wed)

<Schedule>
2019
Jul 17 (Wed) 13:30

* Opening is 30 minutes before the start.

Ticket Fee

All seats reserved: 8640 yen (tax included)

+ Ticketing Fee

Venue

JMS Asttail Plaza, Grand Hall

Remarks

Organizations Overview

From the raising an army to the present in the 1988 "Bubble to the universe of Bubbles (Sora)", the musical theatre has continued to create works with their own hands. In order to shape the feelings that we want to convey from the completely zero state of no music or script, the way the musical theatre took is "team warfare". We have established our own creative system "wormhole project" with the slogan "What can we do with ten ordinary man than one genius". The works that have been born are highly valued for their original spirituality and originality, which continues to question the origin of "living", and has received many Japan theatrical prizes, including the Japan Arts Festival Award, the Kinokuniya Theater Award, and the Yomiuri Theater awards.

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