Festival / Tokyo 17
"Experiments with interactive theatre - new person / event Theatre -' š specials

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Performance content

š special discount
9/4 (Monday) 11:00-


Matsuda Masataka
dramas continue, born here in "theater" to catch Director at Rikkyo University teaching with the four young artists voices, too strong interest " Events play "experiment on the theme and open dialogue.
join the grammar of drama and space conscious available, dismantling, rebuilding 20-somethings make hands. This project faces artform within 60 minutes each, interspersed with guest announcing two pairs each discussion,. performance as behavior=
aim simply to reproduce the words of the drama, not born when an in situ events. It also leads disentanglement seems very obvious act of writing plays, the stage, to reconsider. Words, body, space, audience. Various elements that make up the play, and how using the mechanics in the meantime escaped, or raise events | |. Making hands and the crowd brings new perception, thinking both in exploration and practice begins here. that would mean without stay


events play Declaration

play staged in imitation of the real events, newly generated. Which we call "event drama".
should happen to be not happening will happen, an accident like suffer a deformation body and objects in the space, and unpredictable, not to alter the "which appears with the words" closely related to the nondescript our life is created. Not present the sustainable aspect of unmi "life" by a strong imagination Theatre arose and that it will never fall into anarchy and chaos.
the event play break off from the reproduction of the actor's acting and drama. Play space doesn't show the relationship between written drama and actor's place. Stage walls and body there is material produces a force not reducible to the representation of acting and drama, and gestures.
"student" and "power" in play "which appears with the words" remake in the dimension of. It's out of play time and mix past and present, so that when the stone in water. (Masataka Matsuda)

Performances Homepage

http://www.festival-tokyo.jp/17/program/jikkenn/

Appearance

Theatre programme and the "Venusian": Itabashi Saki season, Tanaka chapter,, senichi ebise trees, Hasegawa —˜•ไ child, Hirayama lapis lazuli, Masuda, based, Matsuo Yu precious child / Tamaki Daisuke "its holding power in': Masaki Nakamura (youth), nakatoh Awards (youth), Yokota ryohei, etc

Staff

Curated by: Masataka Matsuda / theatre project, and the "Venusian": Naoya otu (film), Fukui steps (Director) / Syracuse "fuyuu in flower DIAdem" * "or" is actually kanji: nishidake (written and directed) / sekita ikuko "TBA": sekita ikuko (written and directed) / Daisuke Tamaki "its holding power in': Tamaki Daisuke (written and directed)

Schedule

ƒPeriod„
2017/11/3 (Fri) `2017/11/5 (Sun)

ƒSchedule„
11/3 (Fri / Mon) 14:00 [A + discussion]
11/4 (Saturday) 12:00 [B + discussion]
11/4 (Saturday) 17:00 [A + discussion]
11/5 (Sunday) 14:00 [B + discussion]


* registration is starting 60 minutes before the doors open 30 minutes before
* staged after the 60 minutes (scheduled) discussion and

Ticket Fee

arrival only! ADV:  2500-> 2000 yen!
(free seating / numbered and including tax)

+ Ticketing Fee

Venue

Owlspot and BBW

Remarks

* Guide for customers in Japan to show
* preschool children admission non-
* wheelchair visitors a smooth f/t ticket Center (03 - 5,961 - 5209) please contact.

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